{"title":"absence","description":"\u003cdiv class=\"xdj266r x14z9mp xat24cr x1lziwak x1vvkbs\"\u003e\"absence\" can have many meanings in this show featuring artwork from Weiting Wei, Christa Kimble, Cynthia Kukla and Ann Silverman.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"\u003eThe Public Reception is on Friday, June 12th from 6pm-8pm.\u003cbr class=\"html-br\"\u003eThe exhibition is open from June 11th - July 24th\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"\u003eA small collection of Marilyn Monroe artwork will also be on view in Suite B1 of the gallery to commemorate the 100th Birthday of the pop and cultural icon from artists Bill Mack, Cynthia Kukla and Fatima Taylor.\u003c\/div\u003e","products":[{"product_id":"waiting-by-ann-silverman","title":"Waiting by Ann Silverman","description":"\u003cp\u003ehandmade paper, mulberry paper, thread and pencil\u003cbr\u003e60\" x 36\"\u003c\/p\u003e\n\u003cp\u003eWAITING\u003cbr\u003eThe silhouette in this wall hanging is from a photograph I have of a young African American girl waiting to make paper with me at an Okra Festival in Alabama. Though she was just waiting for her turn, I began to think of all the times in the South that black people were told to ‘wait’.  …to wait for integration to just develop, …to wait for their rights as American citizens…\u003cbr\u003e\u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47979265884334,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_a791f3b2-43d0-4bbe-ab8b-bb6cbd20c2ba.jpg?v=1781371439"},{"product_id":"madison-griffin-by-ann-silverman","title":"Madison Griffin by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47979525505198,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_bf7d3ca0-be3a-4884-be84-a661a876ea2e.jpg?v=1781301406"},{"product_id":"loner-by-weiting-wei","title":"Loner by Weiting Wei","description":"\u003cp\u003eLoner\u003cbr\u003eWeiting Wei\u003cbr\u003ePolymer Clay\u003cbr\u003e12 x 12 x 3\"\u003cbr\u003e\u003c\/p\u003e","brand":"Edward A. 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Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981825425582,"sku":null,"price":7800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_2723806f-55cb-4f1d-97a3-f2aa738cb288.jpg?v=1781369287"},{"product_id":"flow-by-weiting-wei","title":"Flow by Weiting Wei","description":"\u003cp\u003eFlow\u003cbr\u003eWeiting Wei\u003cbr\u003ePolymer Clay\u003cbr\u003e20 x 20 x 2.5\u003cbr\u003e\u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981826375854,"sku":null,"price":5600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_948e1a62-586a-4825-8f36-61fbeab1ecaa.jpg?v=1781369248"},{"product_id":"bondage-by-ann-silverman","title":"Bondage by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981838893230,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_6f396867-f115-41c4-97e5-f7da02cfa114.jpg?v=1781369896"},{"product_id":"curtains-by-ann-silverman","title":"Curtains by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981838958766,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_1544a761-0249-4e26-b811-d94786f1823a.jpg?v=1781369937"},{"product_id":"tangled-narratives-by-ann-silverman","title":"Tangled Narratives by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981839057070,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_1b09f6e5-fada-423c-bd89-4d5747fda5a7.jpg?v=1781369970"},{"product_id":"displaced-by-ann-silverman","title":"Displaced by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981840138414,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_e0c65da8-0bcd-4d0a-b91f-2f0e5f157af7.jpg?v=1781370027"},{"product_id":"captive-stories-by-ann-silverman","title":"Captive Stories by Ann Silverman","description":"\u003cp\u003ehandmade paper, thread, and tracing paper\u003cbr\u003e15” x 12” x 2”\u003c\/p\u003e\n\u003cp\u003eAbsence of Attention\u003cbr\u003eThe works in the six box frames are archives of two previous installations. The first installation was a body of work called The Journal Project which was built around my grandmother and her journals which she insisted be destroyed. I sewed paper, that included shreds of the journals, to tatting and then suspended it all the length of a gallery. That installation was titled Prayer Flags. Shortly after the murder of George Floyd, when white people, some of them, were beginning to examine their privileged place within society, I reexamined my own heritage in South Carolina, where my grandmother was born. In my research I came across interviews with former slaves that were collected in 1936 – 1938 by The Federal Writers’ Project, of the Work Progress Administration. There are 285 of them from South Carolina. In the second installation I strung the papers along the wall and tied 285 little scrolls representing each narrative to the tatting. That installation was titled Prayers and Debts.  I refer to this archive of boxes as Slave Narratives and Old Lace.  I could, in more lengthy fashion call it “Interviews with Formerly Enslaved People Compiled by White Men, and The Journals and Old Lace of a Southern White Woman”. Each piece is now individually titled. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981842792622,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_87a5331b-8d3a-42c7-85ca-43b5f27a8fdc.jpg?v=1781370054"},{"product_id":"eventually-everything-connects-by-christa-kimble","title":"Eventually Everything Connects by Christa Kimble","description":"\u003cp\u003e'Eventually Everything Connects'\u003cbr\u003eFramed\u003cbr\u003e30x40\u003c\/p\u003e\n\u003cp\u003eIn this piece, broad brush strokes on raw canvas contain splatters of black paint trail out in all directions.  Their distinct splatters hold their form where the canvas was dry and disintegrate into formlessness where it was wet.  My inspiration for this work was an exploration of a physical representation of a non physical experience, like thought or meditation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eChrista an abstract painter from the Midwest. She creates gestural, abstract paintings. She is interested in conveying the physical experience of the passage of time. Working with varying consistencies of paint, she creates contrasting areas of defined edges and seamless blending of shape and color.\u003c\/span\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cspan\u003eThe ephemeral nature of our present experience inspires her to explore the relationship between form and the formless.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981847150766,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_9cc1c356-4ab9-4ea1-9484-7c5a2a7f485f.jpg?v=1781371005"},{"product_id":"eventually-everything-connects-by-christa-kimble-copy","title":"Formless by Christa Kimble","description":"\u003cp\u003e'Formless'- Acrylic and ink on canvas, Unframed- 48 x 60\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eChrista an abstract painter from the Midwest. She creates gestural, abstract paintings. She is interested in conveying the physical experience of the passage of time. Working with varying consistencies of paint, she creates contrasting areas of defined edges and seamless blending of shape and color.\u003c\/span\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cspan\u003eThe ephemeral nature of our present experience inspires her to explore the relationship between form and the formless.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981847478446,"sku":null,"price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_4fd7ee42-bd17-4333-bed2-7238fa0d62c1.jpg?v=1781371138"},{"product_id":"formless-by-christa-kimble-copy","title":"Beneath the Surface by Christa Kimble","description":"\u003cp\u003e'Beneath the Surface'- Acrylic on canvas, Unframed- 20 x 24\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eChrista an abstract painter from the Midwest. She creates gestural, abstract paintings. She is interested in conveying the physical experience of the passage of time. Working with varying consistencies of paint, she creates contrasting areas of defined edges and seamless blending of shape and color.\u003c\/span\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cspan\u003eThe ephemeral nature of our present experience inspires her to explore the relationship between form and the formless.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981847904430,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_2af2263e-6e0e-4b0c-8704-5b475c7795e5.jpg?v=1781370824"},{"product_id":"recurring-thoughts-by-christa-kimble","title":"Recurring Thoughts by Christa Kimble","description":"\u003cp\u003e'Recurring Thoughts'- Acrylic on canvas, Unframed- 20 x 24\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003eChrista an abstract painter from the Midwest. She creates gestural, abstract paintings. She is interested in conveying the physical experience of the passage of time. Working with varying consistencies of paint, she creates contrasting areas of defined edges and seamless blending of shape and color.\u003c\/span\u003e\u003cspan class=\"gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cspan\u003eThe ephemeral nature of our present experience inspires her to explore the relationship between form and the formless.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Edward A. Dixon Gallery","offers":[{"title":"Default Title","offer_id":47981848527022,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0562\/1311\/0958\/files\/rn-image_picker_lib_temp_fc29b8c8-cf32-40ec-b79e-3e002437f719.jpg?v=1781371029"},{"product_id":"one-hundred-views-of-athena-i-by-cynthia-kukla","title":"One Hundred Views of Athena: i by Cynthia Kukla","description":"\u003cp\u003eOne Hundred Views of Athena: i\u003cbr\u003e30.5 x 42.5\"\u003cbr\u003e\u003c\/p\u003e","brand":"Edward A. 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